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    Still
    Still is a mesmerising audio-visual work performed by electro-acoustic instruments, dancer and custom software.
    Natan Sinigaglia
    +
    vvvv - a visual programming environment
    Start of Residency
    End of Residency
    Artistic ProposalTech ProjectArtistOutcome
    vvvv - a visual programming environment

    vvvv’s main goal is to allow users to rapidly experiment with different ideas. By unifying access to different technologies, like computer-vision, machine-learning, 3d-animation, VR, AR,… vvvv makes them available to a wider audience, and more accessible to people without programming backgrounds. vvvv is a visual programming environment that started out as an inhouse coding-framework at http://meso.design to realize largescale interactive media installations. Soon it became apparent that the software we had created would be suitable for many other people in the field of creative-technologies and vvvv became independent in 2006, growing a world-wide community of users around it on https://vvvv.org, which is meeting at the biennial NODE festival in Frankfurt: https://nodeforum.org/activities/node-forum/

    Still

    Still is a mesmerising audio-visual work performed by electro-acoustic instruments, dancer and custom software. During the performance, these multiple components join together to generate real-time visuals projected in the space, together with an immersive soundscape.
    The artist will perform on stage using the instruments and his body - tracked in real-time - as an interface to control the visuals.
    The sound of the musical instruments will be analyzed by a custom real-time analysis software which extracts live data used for the content creation. Using AI analysis techniques the system will react to the artist’s movement, generating its own audio-visual performance, and ultimately establishing a dialog with him.

    The theme of the performance is perception of time in contemporaneity. As the philosopher Byung-Chul Han says, "the value we attach today to the vita activa is producing a crisis in our sense of time. As a remedy to this, we should revitalizing the vita contemplativa, our capacity for reflection and contemplation. When life regains this capacity, this art of lingering, it gains in time and space, in duration and vastness".

    Natan Sinigaglia

    Natan Sinigaglia is sound and visual artist based in Milan, Italy.

    With a strong background in music, contemporary dance and realtime graphics, he explores the infinite interconnections between sound, space and image, creating canvases where languages loose their boundaries and share forms and meanings.

    In the year 2008 Sinigaglia co-founded Abstract Birds artistic duo, together with Pedro Mari. Between 2008 and 2013 the duo produces and performs sound-visual projects in many prestigious international festivals worldwide. In addition to the artist role , he’s also the technical director and main programmer of all Abstract Birds projects.
    Between 2011 and 2014 Sinigaglia collaborates with the London based visual artist Quayola, producing artworks and Performances under the name of Quayola & Sinigaglia.
    In 2015, driven by the necessity of exploring themes related to body-space relationship and contemporary art’s fruition, he starts to produce artworks in form of interactive site-specific installations.

    http://www.natansinigaglia.com
    See Profile

    Still linked the artist Natan Sinigaglia with the VVVV team. Natan Sinigaglia is a sound and visual artist. With a strong background in music, contemporary dance and real-time graphics, he explores the infinite interconnections between sound, space and image, creating canvases where languages lose their boundaries and share forms and meanings. vvvv’s main goal is to allow users to rapidly experiment with different ideas. By unifying access to different technologies, like computer-vision, machine-learning, 3d-animation, VR, AR,… vvvv makes them available to a wider audience, and more accessible to people without programming backgrounds.

    The goal of the residency was to create a live performance using the vvvv programming environment. During the residency, the priority shifted from the creation of the artwork towards the creation of a collection of software tools that open new possibilities in multiple creative scenarios.

    Still performance at CENTQUATRE-PARIS, during the STARTS Residencies Days, 2020 @Quentin Chevrier

    During the residency, the artist wasn’t just using the programming language in development at vvvv studio, he was digging deeper, exploring, adding to it with his requests and ideas. This is, for a tech company, the best-case scenario, in which there is someone who is thinking within the system, making more out of it. A significant part of the developers’ time was spent in communicating with the artist and considering his requests and observations. According to the Tech Project, most of these feedbacks were immediately useful for the development: either a report of something that used to work and didn’t anymore with the latest updates, or some suggestion about features while they get implemented. The other requests were not priorities, but they were added on the list of things to develop after the release of the technology.

    The outcome of the technical research is this collection of software:

    • Kairos
    • Model-Runtime-Editor software architecture
    • Interpolation Engine
    • Elementa
    • ParticlesSystem
    • Generators
    • AudioAnalysis library

    Even if the vvvv team is close to its users’ community, and pay attention to their requests and remarks it was the first time that they had an end-user in their office for several months. As a result, they really understood how people were using the software, which was unclear, the missing features, etc. Thanks to this cooperation, the live-programming environment became more efficient, user-friendly while at the forefront of technology.

    Interview with Natan Sinigaglia at CENTQUATRE-PARIS, during the STARTS Residencies Days, 2020

    “Still” is an audio-visual work performed by electro-acoustic instruments, dancer and custom software. During the performance, these multiple components join together to generate real-time visuals projected in the space, together with an immersive soundscape. The sound of the musical instrument gets analyzed by a custom real-time analysis software which extracts live data used for the content creation. The performance turns around the theme of contemplation; in this sense, the abstraction of the visuals represents the possibility to stay on the threshold between what’s known and what is still undefined, in a delicate and powerful state that allows the forms of comprehension to mutate. By entering into this contemplative state, the perception of time, its depth, vastness, flavour completely changes.

    Read the final report