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    Ode from the dirt
    Audio/Visual Sculptures made with a machine learning algorithm from GROW’S soil data
    Kasia Molga
    +
    Futureeverything
    GROW
    environment
    sensors
    data visualization
    collaboration
    sculpture
    Start of Residency
    End of Residency
    Artistic ProposalTech ProjectArtistOutcome
    GROW

    This H2020 project engages thousands of growers, scientists and others passionate about the land. Their objective is to discover together, using simple tools on how to better manage soil and grow food, while contributing to vital scientific environmental monitoring. The GROW project holds the entire global stock of the Parrot ‘Flower Power’ sensor, a high powered consumer soil sensor distributed through the project. Data from these are published on the GROW API.

    Ode from the dirt

    (de)Compositions bridges the source (input) and the data (output) through inviting viewers to take part in a multi sensory experience observing how the artwork - a fragment of the “land” - changes through time - its form, sound and even smell - determined by the activities of the earthworms.

    In a specially constructed container - a monolith - there are different types of soil, moist and fertile and also depleted and dry. The tiger earthworms, which occupy the "topsoil" layer of soils, work tirelessly to mix both these types of soil - reviving and fertilising while at the same time recycling the remains of organic matter. Moisture sensors, placed across soils in the container(s), are continuously monitoring the soil conditions and their transition (thanks to the work of the earthworms) whilst bespoke piezo sensors surveil for activity and number of worms. These sensors influence the sound surrounding the container, which is distributed spatially across at least 4 speakers and slowly changes in time and space.

    The residency team presenting the work in process at the Centre Pompidou, during the STARTS Residencies Days, June 15, 2018.

    About this residency

    • Ode from the dirt
      Dundee, United Kingdom
      Audio/Visual Sculptures made with a machine learning algorithm from GROW’S soil data
    From Nov. 13, 2017 to May 31, 2018

    Producer: Futureeverything
    Localization: Dundee, GB

    environment   sensors   data visualization   collaboration   sculpture  
      Kasia Molga

      Kasia Molga  is a Design Fusionist, Artist and Creative Technologist, working on the intersection of art / science / engineering using imagination as unifying vehicle.  She examines our - human - perception of “nature” in the constantly growing and increasingly technologically mediated urban environments and creates tangible, multisensory and visual experiences, immersive environments, installations and hybrid visual/physical interfaces, design fictions or speculative futures narratives. She is a co-founder of design lab Electronudes (electronudes.eu)  and art collective WorldWilderLab (worldwilderlab.net). She lectures, publish and present regularly and holds MA in Interdisciplinary Design Studies (Central Saint Martin College of Arts and Design).

      http://www.kasiamolga.net
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      Kasia Molga is a designer, artist, creative technologist and environmentalist in heart. She calls herself “design fusionist”. She reimagines our relationship with nature, while questioning our technologically mediated perception of the environment—and the technology itself. During her STARTS Residency she worked with the GROW Observatory. This H2020 project engages thousands of growers, scientists and others passionate about the land. Their objective is to discover together, using simple tools how to better manage soil and grow food, while contributing to vital scientific environmental monitoring. Kasia Molga working closely with Robin Rimbaud aka Scanner, a sound artist, aspired to help to create a meaningful data manifestation for Growers themselves, to generate output for their observation and based on that she created an audio/visual art piece which can represent soil and growers work to people who are not too close to the land. She created an artwork where the quality of the video and audio depends on the condition of the soil around the area. If the soil is dry or depleted one might get really pixilated images and cracking sounds. However, if the quality of soil is really good and everything grows smoothly the images and sounds are going to be smooth and beautiful.

      In order to do so she explored data from various points of view (those of scientists, those of growers and those of the audience from outside). She travelled around Europe to meet the growers and scientists, collecting data, using their flower power sensors. In the meantime she studied various data sets – how they interact with each other and what story they could tell. In the word of Kasia Molga: “We do not want our piece to be just a pretty thing on the screen or the white wall gallery space, but we really are looking to create something with the function—be it well provided information aside the intriguing visualization or sonification or giving a “visible” presence to individual growers and their efforts.”

      She also created another artwork (de)COMPOSITIONS working with earthworms. In a specially constructed container - a monolith - there are different types of soil, moist and fertile and also depleted and dry. The tiger earthworms, which occupy the "topsoil" layer of soils, work tirelessly to mix both these types of soil - reviving and fertilizing while at the same time recycling the remains of organic matter. Moisture sensors, placed across soils in the container(s), are continuously monitoring the soil conditions and their transition (thanks to the work of the earthworms) whilst bespoke piezo sensors surveil for activity and number of worms. These sensors influence the sound surrounding the container, which is distributed spatially across at least 4 speakers and slowly changes in time and space.

      Read the final report Discover more on the blog